Fun_People Archive
23 Nov
Tuck's List
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From: Peter Langston <psl>
Date: Tue, 23 Nov 99 23:49:52 -0800
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Subject: Tuck's List
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BAD GIGS What can go wrong?
by Tuck Andress (of Tuck & Patti)
Borrowed guitar, different string spacing, bridge or nut sliding during
stringbending or vibrato, wrong strap length or strap breaking during solo,
unwoundguitar string used as backup strap gradually cutting through shirt
and shoulder, sleeve snagging on bridge suddenly locking up hand, wrong
pick, dropped pick, broken pick, no pick, pick stuck between strings,finger
caught between strings, wrong strings, dead strings, sticky strings, blood
on strings, broken strings, no extra strings, jar of honey spilled all over
strings, vintage L-5's gig bag shoulder strap breaking immediately before
album release concert for 5,000 people causing guitar to fall on concrete
and creating crack from tailpiece to neck which gradually splits apart
during performance with action getting higher and higher, amp too far away,
amp too close, amp broken so play through bass amp or P.A., tone all
wrong, overdrive bypass switch broken, cymbal in ear,band too loud,
audience too loud, band downstairs too loud, bad monitors, no monitors,
in-ear monitors broken so Patti is heard acoustically but Tuck is heard
only through house PA 50 yards away resulting in Tuck being unavoidably
out of sync with Patti by 1/6 second for whole show, guitar buzz, RF from
nearby transmitter louder than the music itself, brownouts making organ
pitchfluctuate randomly over an octave range, power outage, equipment
plugged into 230 volts immediately before show, earthquake during show in
high-rise, outdoor desert performance at 131 degrees with sand-blasting
winds, sub-freezing outdoor mountaintop performance with snow storms and
40 mph winds, high altitude dizziness, no sleep, no food, too much food,
wrong food, food poisoning, fever, locked bathrooms, way too many liquids
before long show, nagging suspicion that zipper is down, contact lens
falling out during moment of peak concentration, compromised hand position
due to repeatedly sliding full width of stage while trying to keep playing
but not collide with Patti on yacht in rough Finnish Gulf of Bothnia,
charts blown away by wind, charts on thermal fax paper, charts in wrong
key, charts without bar lines, charts with bar lines all displaced by two
beats, charts in bass clef or C clef, chord charts with do/re/mi (France)
instead of C/D/E and everything else in Portuguese, realization that Miles
Davis, Dizzy Gillespie, Joe Pass, George Benson, Chaka Khan, Bobby McFerrin
or Steve Gadd just walked in, drunks falling on stage, drunks disrobing on
stage, drunks grabbing instruments or band members, band members falling
asleep during song, pigs frolicking in sawdust-covered frat house knocking
over band equipment, thinly veiled animosity between bride's and groom's
families erupting into violence during heartfelt version of My Romance,
nightly juggling of playing and operating the lighting console/footswitches
and talking to audience members and trying to reign in tempos and egos of
various fellow top-40 band members, arrival at duo gig with unbelievably
loud, aggressive fuzz-wah hard rock bass player to discover that assignment
is to back up elderly white-haired and white-suited gentleman singing
unfamiliar country songs to unforgiving patrons, crowded upscale happy hour
dance floor unraveling into pandemonium as normal-looking customers all
collapse to the floor and writhe around on each other while astonished
saxophone- playing duo partner walks out leaving helpless solo guitarist
playing The Hustle for 25 minutes, funk bass playerimprisoned in lounge
band insisting on popping strings throughout sensitive ballads, accidental
imprisonment of Patti in wine cellar out of earshot during guitar
instrumentals, onstage and on-instrument living creatures with varying
numbers of legs, belligerent drunken bowling alley lounge customer
demanding that funk band play Debussy's Clair de Lune while remainder of
band looks expectantly at guitarist, drummer watching ball game on portable
TV with headphones throughout performance, guest singer repeatedly changing
keys at random moments, realization that the people who have just boldly
picked up instruments and are unexpectedly sitting in are Herbie Hancock
and Wah Wah Watson, guns drawn at rehearsals to settle disputes about form
of song, marginally famous singer resorting to the dreaded "Do you know
who I am" line, drummer and delusional would-be front man jumping off the
drums in the middle of a song and mistakenly chanting "we don't need no
drummer to keep that funky beat" to a dance floor packed with suddenly
hostile former dancers, unstable band member deciding that it is his
responsibility to educate the audience over the microphone, bass player
playing random notes and rhythms because he is not a bass player at all
but nonetheless booked the gig, drummer announcing that he killed somebody
just before the show, swimming pool party turning into orgy with splashing
on inexperienced solo electric guitarist sitting beside pool doing his
first solo gig and fielding endless requests for the same song he had just
played yet again, bride's and groom's special song evaporating from
mortified solo musician's mind at the crucial moment, band member
disappearing suddenly when his chair falls backwards off riser, unstable
enormous man peaking on LSD brandishing artificial limb removed from his
companion at audience and threatening band to "sing with this", mirrors on
back wall of club causing introspective young guitarist to question meaning
of his life at early stage in career.
-Tuck Andress
© 1999 Peter Langston